Though he looks subdued in the first half, he goes all out and gives a solid performance in the latter part. Pawan Kalyan is back after a long gap and he does not disappoint his fans one bit. Will Satyadev manage to bring justice to the three ladies? That forms the rest of the story. Left with no choice, the ladies approach lawyer Satyadev(Pawan Kalyan) to fight the case against the powerful Nanda(Prakash Raj). This creates a big mess and a case is filed against the three women. Incidentally, one of the girls injures Vamsi(Vamsi Krishna). They attend a party and get into trouble with the boys. Pallavi(Nivetha Thomas) Zarina(Anjali) and Ananya(Ananya) are three close friends who live In Hyderabad and work at different offices. Let’s see whether the film lives up to the hype or not. Vakeel Saab is one of the most awaited films of this year as it marks the comeback of Pawan Kalyan to films after three long years. Between 19, he won the award 18 times! He even won the National Award for playback (male) 6 times! He was also honored with the third-highest Civilian Award of India, the Padma Vibushan (and most people can feel it’s much less a measure of his talent)! He was felicitated with honorary doctorate degrees twice!Īpart from winning awards for singing, SPB also won the Nandi Awards for Best (male) Dubbing Artiste (Annamayya), Best Supporting Actor (Pavithra Bandham), and Best Music Director (Mayuri).Starring : Pawan Kalyan, Shruti Haasan, Anjali, Nivetha Thomas, Ananya Nagalla, Prakash Raj
Andhra Pradesh government’s Nandi Award for the Best Playback (male) singer has earned itself respect by being in his hands’ number of times. SP Balasubramaniam was awarded for the immense talent he housed. His rendition of Bhagavad Gita under Puzhalendi’s guidance was his personal favorite, for the variation he has shown when singing for Lord Krishna and Arjuna. When asked, he simply said that he changed his voice “slightly” only when he sang for NTR or ANR or a comedian like Allu Ramalingaiah, but then how can we not realize that he also sang in a feminine tone in movies like ‘Aadadhe Aadharam’ or ‘Madam’ or that his voice modulation changed significantly for songs such as “Junior junior…” in ‘Idi Katha Kaadu’ or even the songs in ‘Sankaraabharanam’ or ‘Tyagayya’?
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